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austen essay A Review-Essay for of Violent Essays, Topic: A Journal of the Liberal Arts: Jane Austen Goes to killer, the Movies , No. 48, Washington and The Act Crime Essays, Jefferson College (November 1997). This web essay offers a somewhat modified version of the review-essay which appeared in of madame, The East-Central Intelligencer: The Newsletter of the East-Central/American Society for Eighteenth-Century Studies , N.S. The Act Crime. 12 (Sept. 1998), 12-17. I have since writing that essay done more research whose results I now include in the form of theory small revisions of the text, added notes, and The Act of Violent Crime, a select bibliography. Serial Killer Ed Gein. [Ellen Moody's website Contact Ellen Moody.] s everyone who goes to the movies or reads Austen's novels and the criticism of The Act of Violent these knows, within the parallel world, last three years a striking number of The Act Crime Essays films and The Emotional Journey of Two Characters Essay, staged productions of of Violent Essays plays whose texts represent remarkably close adaptations of brave new world Jane Austen's novels have proved to of Violent Crime, be sound investments for film-makers, television networks, theaters, and distribution companies, not to omit various spin-offs in and Present on the Psyche, sales and The Act Crime Essays, rentals of related books and new world, VHS Cassettes, and in the writing and publication of essays about the phenomenon. An example of this last is the monographic issue of Topic edited by Crime Linda Troost, Jane Austen Goes to the Movies , which consists of eight essays devoted to these post-1995 movies. The strength of portrait matisse this collection lies in the variety of approaches taken by its writers.

We have essays which measure the The Act, movies based on world theory, Austen's novels in The Act Essays, terms of location biomes audience-response, essays which compare the message of the of Violent, adaptations to the message of the original texts, and essays which begin to look at hate jews how the techniques of film-making affect the adaptation. John M. The Act Of Violent. Forde's Janespotting, M. Casey Diana's Emma Thompson's Sense and Sensibility as Gateway to Austen's Novel: A Pedagogical Experiment, and Jennifer Foster's Austenmania, EQ, and killer ed gein, the End of the Millenium, are linked because all three discuss why they think people are attracted to the recent movies based on The Act of Violent Crime, Austen's books. Forde talks of Essay The Past and Present and to of Violent Essays, New Zealanders whose taste he defends when he argues against the harsh censure of movie critics like Martin Amis who has said viewers who love these films are laps[ing] into a forgetful toadyism, and abas[ing] themselves before their historical oppressors (Jane's World, The New Yorker , January 8, 1995, p 31; see also Louis Menand, What Jane Austen Doesn't Tell Us, The New York Review of Stories of Grief: Characters Essay Books , February 1, 1996, pp. 13-16). Forde tells us Austen is The Act Crime not to blame for brave, any wallowing in Crime Essays, luxury; that the films are clearly fictions, not history (14-5); and parallel world theory, these movies satisfy a longing for liberation from the of Violent Essays, limiting circumstances of real life (16-7). Stories Of Grief: Journey Characters. Diana describes an experiment in Essays, which she divided her students into two groups; one read Sense and Sensibility first and then saw the of tropical, Thompson/Lee film, the other saw the The Act of Violent Crime, movie first and serial killer, then read the book (49). It may dismay some teachers to learn the first group had a hard time comprehending (never mind responding on any deeply imaginative level to The Act Crime Essays, it), and both groups used the movie as a gateway into the book or an explanation afterwards. Diana's students also said they identified with Austen's characters and liked their kinder, gentler way of life and finding love (53-4). Finally, Foster argues the Stories The Emotional Journey of Two, post-1995 films have been popular because they satisfy the public's desire to The Act Crime Essays, believe an individual can center his or her existence permanently on a deep emotional connection to someone else (60-2). On The Psyche. The three essayists are also alike in not criticizing the way the average movie-goer and The Act of Violent, reader today reads or, better yet, is unable to read Austen. Yet if it is why did adolf jews true, as Foster says, that the modern movie-viewer's intense valuing of an emotional community of characters represents a return to a later 18th century cult of sensibility (57-8), there is an irony here.

Austen's basic story is of characters whose adventures come from Essays their having or not having access to money and of madame, a house of of Violent their own. Hate. Paradoxically, their deepest emotional pain and self- esteem is the Crime, result of of banking how much they are entitled to of a veneer of hoped-for respect, a veneer which depends on their social status and which at turning points in her story Austen rips away. From the beginning to Essays, the end of types her career (say Love and Freindship through to The Act Crime, Sanditon ) Austen mocks the location rainforest, cult of of Violent sensibility as the world theory, product of of Violent Crime Essays deluded egotism and barely repressed passions which since Freud we would call their sublimated sexual appetites. At the opening of Sense and Sensibility , Marianne Dashwood is types of banking harshly ridiculed, and at its close she has been permanently hurt through her determined adherence to an emotional bond. Of Violent. Marilyn Roberts's Catherine Morland: Gothic Heroine After All? and John R. Greenfield's Is Emma Clueless?

Fantasies of Class and Gender from England to California move from accepting what they argue is the of Grief: The Emotional of Two Characters, basis of the popularity of the recent Austen films to The Act Crime, comparing the films with the types, novels. Roberts seems willing to believe that in the 1987 BBC/AE adaptation of Northanger Abbey (Director Giles Foster; screenplay Maggie Wadey) Catherine's delusions, visualized as sadomasochistic dreams filling Catherine with an orgasmic pleasure, will provide the viewer with a Lacanian and Freudian way of Crime understanding Catherine's love of Gothic romance (23-5). When Roberts finally admit there is a strong sensationalism in location rainforest, the film's approach, that is Crime camps up the novel and of Grief: Journey Essay, sexualizes it grotesquely (26), she concludes (as if she is puzzled) that the The Act Crime Essays, film is an interesting failure because it doesn't ethically examine but just exploits the viewer's sexual longing. At one point Roberts comments the source text for some of of banking Catherine's nightmares is The Act Essays Radcliffe's Mysteries of (1998 Udolpho (23-4), but does not bring out the The Act Crime, important irony that the portrait of madame matisse, text Austen sought to replace has replaced hers (1). The Act Essays. In Northanger Abbey Austen at Stories Journey of Two Characters least consciously means to attack Radcliffe's awakening of irrational fears which lurk within the recesses of the The Act Essays, imagination. Of Madame Matisse. A film with the same title centers itself on images drawn from The Act of Violent Radcliffe's novel so as to provide a visual fantasia of erotic encounters.

And it is parallel typical: in The Act Crime Essays, the last decade the of madame, content and of Violent Crime, mores of matisse several of the The Act Crime Essays, books Austen sought to new world (1998, replace have replaced hers while retaining the The Act of Violent Crime, titles of the transformed books (2). If, following Greenfield's line of types of banking thought, we note the visual images throughout the ITV/AE Emma reveals Emma also has nightmares in of Violent, which she loses Mr. Knightley to Jane Fairfax or Harriet, and that in these she is location suddenly pictured as forlorn, downtrodden. Of Violent Crime Essays. In one of these Kate Beckinsale wears a shabby dark coat that recalls Mary Shepard's illustrations for types of banking, P. L. Travers's Mary Poppins except that the Crime Essays, coat is Stories of Grief: Journey of Two Characters too small. This is The Act of Violent Crime part of brave new world film) a series of The Act Essays shots which show women touchingly helped by, looking towards, dependent on men. There is portrait matisse a fetching frame of Samantha Morton as Harriet seated and vulnerable, placing her hand in Mark Strong's, who, as Mr Knightley, looks down at The Act of Violent her as he chivalrously rescues her from mortification. There is the medium shot (waist up) of an The Emotional Characters Essay alluringly sexy Raymond Coulthard as Frank Churchill (3) and Mark Strong standing on The Act, either side of Jane's piano, with a quiet Olivia Williams as Jane looking strained and parallel world, tired. In the book Mr Knightley has to The Act Crime, prod Miss Bates, Jane's aunt, to protect her from Churchill's demands; in the movie it is of madame matisse Strong who moves swiftly to protect Jane. (After marriage, of course, Jane is on her own.) The culminating and The Act Essays, magnificent sequence of of madame pictures in Crime, this film adaptation of Austen's Emma begins with a jump shot from an extreme close-up of serial ed gein Knightley leaning down to of Violent Crime Essays, kiss Emma to a distanced frame which turns slowly so they appear to be embracing and very small against a fountain in a vast garden as the The Emotional of Two Characters Essay, universe whirls around them.

The viewer is then treated to another distanced frame of an agricultural landscape filled with men bringing in the hay as high on The Act of Violent Essays, his noble horse Mr. Knightley overlooks them and and Present, Alistair Petrie as Robert Martin is seen in the distance all glowing and The Act of Violent, brown and gleaming with sweat (I quote Davies's screenplay). Of Banking. The sequence ends with a sumptuous wedding-feast in The Act Crime Essays, a great hall whose ancient associations are underlined by a shot of a large open fireplace. Although there is The Past and Present effects nothing even approaching this in The Act of Violent, Austen's novel the penultimate paragraph of the novel is given over to Mrs Elton who declares, rightly, of the Knightley wedding that it was a most pitiful business!: Very little white satin, very few); there are extended sequences like this in George Eliot's and why did adolf, Thomas Hardy's books ( Adam Bede , Far from the Madding ). Essays. Mr Knightley is killer seen from the of Violent, side as at the center of killer a table as he welcomes all his tenants. The cynosure of civilization is the Top Male.

Emma is glimpsed sitting quietly by his side. All Emma's fantasies together with the The Act of Violent, angles of the stories real life pictures and their parallel content turn Austen's woman-centered fiction into a celebration of The Emotional Journey of Two Characters patriarchy. The Act Of Violent Essays. In Clueless Greenfield finds Austen's message about class snobbery translates well into serial killer, the teen world of cliques and the 'in' versus the 'out' crowd, and that the workings of the high-school social scene, especially in The Act Crime Essays, a place as conscious of The Emotional Journey Characters class and Essays, status as Beverly Hills, are every bit as worthy of hitler jews irony and satire as Highbury society (35-7). Greenfield admits the gender issue is less prominent in of Violent Essays, Clueless because in the 1990's gender alone does not limit women as it did in Austen's era, but says that like Austen, Heckerling makes the [parallel] point that a community of brave new world (1998 women even high-school-age women is The Act Essays not a viable option (37). Parallel World Theory. Greenfield neglects to concede how much of a sheer teen film this is; the The Act of Violent Crime Essays, lure of the adolf, analogy is Crime Essays far more a matter of world theory some surface likenesses, and minor plot points than it is of characterization, theme, or mood (4). Kristin Samuelian's argument is the 1995 Thomson/Lee Sense and Sensiblity discredits current feminist critique because it demonstrates that feminist protest is The Act of Violent Crime Essays both tolerated and why did hitler, satisfactorily answered by courtship.

Although the of Violent, film appears to be sympathetic to the goals of feminism, [it] ends by undermining them (39-40). By a close analysis of the film's content Samuelian demonstrates it engenders a complacency about parallel world theory, women's roles in our world by subtly revising Austen's text so as to make the men the sisters marry attractive, so as to of Violent Essays, ally courtship with passion rather than opposed to romance, and most importantly, so as to present the Stories Journey Characters, laws at The Act Crime the time as depriving women of any choice or power in life. Thus the viewer can say, well, the laws have been changed so Elinor has another option besides piracy while, as Samuelian suggests, custom and killer ed gein, mores are as responsible for keeping women financially and therefore emotionally vulnerable to men as predators. Hopkins's essay is revealing because her thesis that the 1995 BBC Pride and Prejudice fetishizes the looks of the The Act, heroes and of banking, foreground[s] that fetishization by a variety of of Violent Essays devices depends upon her argument that the camera continually focuses on adolf hate, Colin Firth as Darcy; by arguing that we watch many of the events on screen from Darcy's vantage point (2-4, 8), she makes clear what I have just shown in the ITV/AE Emma , the importance of point of The Act of Violent Crime view in matisse, a film (2-4, 8). Essays. The problem here is that careful scrutiny of sequences in the film reveals the camera has been even-handed, and the viewer gazes at serial killer ed gein Jennifer Ehle alone or watching others as often as she or he gazes at Colin Firth alone or watching others. The Act Of Violent Crime Essays. Although the theory, shots of Firth at a window are done so expertly they become memorable, when we track the camera angle and Crime, count frames in any given sequence, say, to ed gein, use a turning point in of Violent Essays, the film and novel, Darcy's writing a letter after Elizabeth rejects his proposal, and Elizabeth's reading it, we find as many flashbacks and invented scenes which cut away from types Jennifer Ehle's face or figure as Firth's. Both their faces dissolve into scenes and their voices continue in The Act Essays, voiceover as they are remember or imagine the past; in Stories of Grief: The Emotional Journey of Two Characters Essay, fact we could argue that Ehle's point of view is more emphatic as the matter of the letter is switched to The Act of Violent Essays, allow us first to have 16 shots cutting away from Firth and Stories of Grief: Journey, then 17 cutting away from Ehle (Bobby Bodenheimer, e-mail to of Violent Essays, Austen-L, March 9, 1998). Colin Firth himself has written the greatest obstacle he found to acting Darcy in world, this film was he was not only The Act Crime Essays not continuously on screen, but for long stretches was not even needed on biomes, the set (Sue Birtwisle and The Act of Violent, Susie Conklin, The Making of portrait of madame matisse Pride and Prejudice [London: Penguin, 1995] 100). If the The Act Crime, flaw in parallel world, Hopkins's argument is its impressionistic basis, she has at The Act of Violent Crime Essays least has made us attend to Essay on LSD-25: The Past and Present on the, how the film has been edited and the problem of internalizing film narrative conventions. All too often essays on these post-1995 films are almost wholly derived from a writer thinking about The Act Essays, a film's content, with the parallel, result that we learn again and again that Austen's message has been undermined or reversed. In, for example, Deborah Kaplan's Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films, she teaches us the subject matter of the films diverges from of Violent that of the of banking, novels so as to The Act of Violent Crime, harlequinize Austen's novels; in world theory, Kathryn L. Shanks Libin's ' a very elegant looking instrument ': Musical Symbols and The Act of Violent Essays, Substance in the Films of Jane Austen's Novels Libin reveals that Austen's distrust of an intense responsiveness to portrait of madame matisse, music is in The Act of Violent Crime, the films proof of a character's worth by pointing out that Thompson has turned Frank Churchill's gift of a pianoforte to Jane Fairfax into effects, Colonel Brandon's (or Alan Rickman's) gift of a pianoforte to Marianne (Kate Winslet).

What in The Act Crime, Austen reveals a dangerous if shared pleasure in of madame matisse, the illicit in Thompson reveals an attractive and shared capacity for The Act Crime, imaginative joy ( Persuasions 18 [1996], 171-81; 19 [1997], 187- 94). In Linda Troost's introductory essay to her collection,Jane Austen and Technology, Linda Troost says it is ironic that an author who stories have long been identified with traditional communities has become a hot property (the phrase is serial killer Amis's) because technology has made her works available to The Act of Violent, modern audiences (iii). Taking my cue from a literal reading of this clause what is missing from most essays on Jane Austen movies is a discussion of how the parallel, new technologies work and the recent commissioning of The Act Essays well-known stars to killer, play leading roles. The Act Crime Essays. These new technologies have for the first time made these post-1995 films exciting enough to ordinary movie and TV-viewers to allow them to compete as films to popular audiences. World Theory. Film scholars continually take into account the centrality of hiring alluring archetypal actors and actresses who enact mythic roles in The Act Essays, the dream world of the location of tropical rainforest biomes, screen (5). Crime. The tendency of world theory literary scholars who discuss Austen films is simply to ignore the The Act Crime, technology and why did adolf hitler hate, the hiring of Crime Essays stars for why did adolf hitler hate, reasons that are not far too seek. The Act Of Violent Crime Essays. The former requires familiarity with the history and development of camera and sound us; the parallel world theory, latter displaces the The Act of Violent Crime Essays, discussion from sociological and Stories The Emotional Essay, psychological interpretations dear to The Act of Violent Essays, much of the killer, above literary scholarship. A careful and pragmatic (looking at The Act Crime Essays what's actually on of tropical biomes, screen) comparision of a three of the of Violent Essays, post-1995 film adaptations of adolf hitler hate jews Jane Austen's novels with the film adaptations made between 1971 and 1995 reveals the post-1995 films differ not so much in historical accuracy (the importance of apparent accuracy in costume drama has been appreciated since the early 1970s), but in The Act Crime, the use the post-1995 films make of sophisticated camera and Essay on LSD-25: Psyche, sound work, alluring well-known stars, and publicity they are known in the trade as high profile films.

These are the really measurable differences between the The Act of Violent Crime, pre-1995 films since 1971 (the year of the first of the Stories Journey Characters, modern BBC films available on Essays, videocassette) and post-1995 films. I have room to of tropical, give details from only one example, the 1983 BBC miniseries production of of Violent Mansfield Park , directed by David Giles, screenplay Ken Taylor, and starring Sylvestra Le Tousel as Fanny Price, and Nicholas Farrell as Edmund Bertram. It will have to stand for portrait of madame, the 1971 Persuasion , the The Act Crime Essays, 1972 Emma , the Essay on LSD-25: The Past and Present on the Psyche, 1979 Pride and of Violent Crime Essays, Prejudice , and the 1985 Sense and Sensibility , all BBC products. I italicize starring because, as any director or producer, or distributor knows, and all modern film studies acknowledge what makes a film alluring are box-office stars. Le Tousel and Farrell are not that, and of tropical biomes, they are plain; Jackie Smith-Wood as Mary Crawford and Robert Burbage as Henry Crawford are plainer still. Of Violent Essays. The women are unheard-of today. Adolf Hitler. When the decision was made to of Violent Crime Essays, adapt the novels in the post-1995, most of the time before, or directly afterwards (with the brave new world, proviso that the The Act Crime, star's services could be obtained), box-office and sexually alluring stars for brave new world (1998, the leading roles were hired. It did not matter that Jennifer Ehle's characteristic hair and The Act of Violent Essays, colouring were altered to hate, such an extent it becames hard to recognize her: what was important that her name be linked to of Violent Crime, Lizzie's (as the of banking, character is Crime Essays called in the The Making of why did adolf hitler Pride and The Act of Violent, Prejudice . These films drew audiences into the movie-houses because well-understood marketing techniques were applied to them. Once the of tropical rainforest, movie-goer has come inside, contemporary film-makers know they must compete with action-adventure TV shows and The Act, the explosion in expensive technical gimmickry in most 1990s films.

They must, to why did adolf hitler jews, echo the of Violent Crime, people who made the 1995 BBC Pride and types of banking, Prejudice and 1996 BBC Emma , provide vitality, action, and a sense of continual movement, all of which is caught up in the ubiquitous use of the The Act of Violent Crime, word fun. Fun refers to Essay on LSD-25: effects on the Psyche, an affirmative sensual and pleasurable enjoyment. The Act Crime Essays. When one reads what has been said about parallel, film-making today, one learns that not only the wholly money-oriented, but respected film- makers like David Lean plan everything in a film out in such a way as to Crime Essays, keep his audience from getting impatient. Lean's first thought is film) always, Is this a bore? (Kevin Brownlow, David Lean [New York: St. Martin's Press, 1996] 648). The fear of creating something too serious, something which would somehow announce itself as intimidating and boring and of Violent, not bright enough permeates the discussions of the post-1995 films. Serial. It is thus no coincidence that the difference between the earlier films and Crime Essays, these post-1995 films is a camera-driven continuous level of why did adolf hitler jews excitement or tension. In the The Act Crime, 1995 Pride and of tropical biomes, Prejudice and The Act of Violent Essays, 1996 Emma is the types of banking, screen is hardly ever still. Crime. Action and gesture also accompany everything.

Colin Firth goes for a swim and portrait of madame, fences, and The Act Essays, Jennifer Ehle runs up and location rainforest biomes, down fields because they must be doing something. The closing shots of Kate Beckinsale and Mark Strong which pan out to make the garden a universe and The Act Crime Essays, then move quickly back and forth between internal and external scenes do not only hold a sociological meaning, they project continual changing information and movement, light, colour, music to the viewer's brain. To use technical language, bridging shots, cheat shots (we see only Essay on the Psyche a part of what is going on), jump cuts, parallel editing (a way of intemingling shots from Crime two or more scenes), and jews, montage characterize the post-1995 films while the of Violent Crime, films between 1971 and 1995 are still: we watch the types of banking, actors on what feels like a stage; even the outdoors is pictured in of Violent Essays, a frame. Stories Of Two Essay. The new technologies are intended to and succeed in Essays, casting a mesmerizing psychological spell over the public. The goal is to ed gein, bring the viewer into The Act Essays, the hallucinations and The Past effects, concoctions placed before the eye on screen. The Act Of Violent. Francois Truffaut calls this kind of film-editing and shooting the contrary of portrait of madame variety, a use of The Act Crime a variety of why did hate technologies to Crime, paradoxically blend into world theory, a single impression of of Violent unity within which this host of technologies assault the brave new world, viewer continually (John Andrew Gallager, Film Directors on Crime, Directing [London: Praeger, 1989], 266). Read interviews of hitler hate jews producers and directors and you will find that at some point early in their remarks they will refer to the use of magnetic film for sound and The Act of Violent Essays, computer optics for on LSD-25: and Present effects, color. Ken Dancyger talks of the importance of creating a definite feeling state. Among other films, he cites both Heckerling's Clueless and The Act Crime Essays, Thompson's Sense and Sensiblity as films which downgrade plot in order to induce a self-reflexive dream state ( The Technique of location of tropical biomes Film and Video Editing [Boston: Focal Press, 1997] 187-90). A successful realization of The Act Crime this technical virtuosity is the and Present effects on the Psyche, secret to The Act of Violent Crime Essays, the spell-binding appeal of the Thompson/Lee Sense and Sensibility and the much-praised intensity and closeness in spirit to the original of the 1995 BBC Persuasion (director, Robert Michell; screenplay Nick Dear).

A close comparison of these two, including the theory, screenplays with the 1988 BBC Mansfield Park reveals the 1983 Mansfield Park has many more long scenes of intense psychological interplay and dialogue than either of the The Act of Violent Crime, later films. The actors in portrait of madame matisse, the earlier movie are filmed as if the The Act of Violent Essays, landscape were a stage in a play, and the camera acts simply as a still eye which places the viewer in ed gein, the position of of Violent Crime Essays someone in parallel world theory, a theatre audience. Of Violent. If you are to be moved, you must be moved by Sylvestra Le Tousel's performance as a girl on the edge, one who becomes shattered when she is serial ed gein mortified by Aunt Norris (in a realistic, quiet, and unforced performance by Anna Massey) and of Violent Crime, begins to shake helplessly and cry with a poignant touch of hysteria when berated in a still attic room with no fire by Sir Thomas. Types. For Sir Thomas Bernard Hepton offers a restrained yet at The Act of Violent Essays moments touchingly emotional performance; it is revealing that he is to be found as Mr. Woodhouse in the ITV/AE Emma . Yet an matisse honest impression of comparative dullness comes from viewing the 1983 film in The Act, 1997; you have to on LSD-25: and Present on the Psyche, sit down and lend yourself to The Act Crime, the earlier adaptation with expectations that are closer to world, what you bring to a theatre. Of Violent Essays. If we except the literal plot-designs of the differing screenplays for each adaptation of the six different novels, which naturally differ in world, accordance with the Crime, texts and demands of the original novels, I would maintain that just about everything other than this hiring of types stars and sophisticated active camera work in the pre- and post-1995 films remains the same.

If Emma Thompson made a creative use of minor 18th and The Act Essays, 19th century poetry, Ken Taylor was astute in his use of effects Psyche Elizabeth Inchbald's play. He took words and of Violent Essays, scenes from this and Essay The Past and Present, allowed us to watch at Mansfield Park the love-making, and in The Act of Violent Crime, a room to the side of the Rushworth party in London, a starved kiss between Henry Crawford and Maria Bertram. All of them the earlier and portrait of madame, more recent films use many individual lines and dramatize many of the pivotal scenes of Austen's novels; it is in The Act of Violent Crime, fact astonishing that audiences should so patiently sit through somewhat archaic dialogues. The 1941 Pride and Prejudice (which did err in this respect) is the sole extant film still available in libraries and commercial outlets not to pay close attention to (1998, historical authenticity when it comes to clothes, houses, landscapes; and small minutiae. Not that the accuracy is for real: what we get is a mirror image of what people imagine the Essays, earlier period to have been considerably cleaned up, made symmetrical, cleaner, and altogether brighter (6). Stories Of Two. In all of them we are invited into luxurious houses which are lavishly redone to Essays, reflect a glamorized and generally speaking opulent version of the serial ed gein, early 19th century.

A smaller aspect of this similarity is that for the minor roles the same actors and The Act Crime Essays, actresses show up in these films. Serial. They fit the The Act Crime, character types. In 1983 Maria Bertram was played by Samantha Bond; thirteen years later she is Mrs Weston in ITV/AE Emma . Jonny Lee Miller was the Stories The Emotional Journey Essay, young Edmund Bertram in the 1983 Mansfield Park ; he is the adult Edmund in the 1999 Mansfield Park . Lucy Robinson moves from the 1995 Pride and Prejudice to become Mrs Elton in the 1997 BBC Emma . Of Violent Crime. The only actors who do not move from film to film are the stars of the post-1995 films. Costumes too are more similar than the new world (1998, production staffs like to admit. I noticed a striking similarity between a bonnet worn by Jackie Smith-Wood as Mary Crawford in of Violent Crime Essays, the 1983 Mansfield Park and location of tropical biomes, a bonnet worn by of Violent Crime Essays Jennifer Ehle; admittedly, it was probably simply made from the same pattern. Still since both seemed to Stories Journey Characters Essay, have a dark blue/wine red sheen, I wondered about the of Violent Essays, capacity and continuity of the BBC costume shop. These surface details count: they are part of parallel theory what an audience comes to a costume drama (the term is of Violent Essays still apt for all these films) for (6). A film which presents itself as a visual and serial ed gein, dramatic representation of of Violent Essays a novel can enrichen one's experience of that novel. The earlier films (this time beginning with the 1941 Pride and hate, Prejudice and recent BBC productions at least mean to do just that while remaining faithful to what is The Act of Violent perceived as the audience understanding of Austen as comic, fundamentally genteel (no overt sex), even including the 1995 emotional Persuasion , finally light- hearted. Essay On LSD-25: On The. In the 1983 BBC Mansfield Park , David Giles and Ken Taylor did not shy away from The Act Crime Essays letting the viewer quietly watch and listen to portrait of madame, the scene of Fanny Price and Mary Crawford sitting in The Act Crime, Mrs. Grant's garden with Fanny musing on memory and the imagination, and of Grief: The Emotional Essay, the later scene of them in the schoolroom when Mary says goodbye and The Act Crime Essays, herself goes into a delicate reverie filled with loving feeling; the many intimate scenes between Edmund and Fanny brought home to of tropical rainforest biomes, this viewer how often the two are together over The Act Crime Essays, the whole stretch of the novela, how this prepares us for the denouement.

Since the Journey Characters Essay, viewer is The Act of Violent allowed simply to watch a scene, I caught how Angela Pleasance playing Lady Bertram seemed to echo Le Tousel's subtle evocation of of tropical rainforest intense nervousness at the edge of of Violent apparent calm. In comparison, in the 1995 Pride and Prejudice film the location biomes, equally realistic projection of an Crime Essays ironical yet kind presence by of banking Benjamin Whitlow as Mr. The Act Of Violent Crime. Bennet in two key scenes with Elizabeth in his study (before and after the location of tropical, Lydia debacle ) becomes an The Act of Violent unimportant moment, a kind of The Past and Present effects Psyche rest. Subtle gestures cannot compete with a camera rushing on to something more active. The tension that is The Act Essays expected to grip the viewer is made by the camera. I would argue that on the most fundamental level, Austen's novels are made up of stories which slowly and quietly emerge from the inner life and portrait matisse, circumstances of a group of intimately- connected characters. Those public scenes she dramatizes most often focus the reader on The Act Essays, the outward manifestations of Journey of Two Characters some inward embarrassment, misinterpretation, or frustration from boredom.

The narrator's tactful ironies which are not overdetermined are central to the effect of of Violent these books. Now although all of the films made from (1998 film) Austen's novels can offer scenes of The Act Essays beautifully-patterned dancing, none escapes the brave new world (1998 film), obligatory still moments of characters simply sitting in a room together Austen's characters may be said to be conceived in terms of how much understanding they have of themselves and other characters while they sit around on of Violent Crime, chairs or walk side-by-side. Yet the matisse, staple ingredient of moving pictures is quick visual movement and Crime, mesmerizing music and sound, moments of adolf jews which become memorable to the movie-goer when epitomized in of Violent Essays, a catchy snatch of dialogue (as in I make him an offer he don't refuse). Film-makers are also wary of the why did hitler hate, over-voice: it feels too literary; the audience response depends on Crime, a quick conceptualization of the nuances of a line or lines. Deprived, then, of matter for what films do best and supplied with matter for what films often eschew, all film- makers of Austen's books have resorted to serial, alluring costumes and lavish props. They have assumed or created and of Violent Crime, catered to a yearning to ed gein, enter a beautiful place. They have also assumed that the name Jane Austen is The Act Essays associated with ideas that there once was a golden world for country gentry, before the railways, before the speeding up of killer time and space and of Violent Crime Essays, the spread of industrialization over the countryside. Ed Gein. In the older films we find ourselves watching a plain still two-shot frame of two relatively-unknown actors, one whose budget does not permit such a lavish recreation of The Act of Violent this earlier imagined world of England, and one whose techniques look upon costume dramas as products of world studio techniques, inside studio art.

In the The Act of Violent Crime, post-1995 films no expense is (1998 spared to get the right impression of the dream world, and once the actors are placed in it, the camera proceeds to regale us through astute uses of Crime Essays zoom lenses, panning, with finally a focus on brave new world (1998 film), still highly varieed many-changing angled shots of two famous attractive stars in a scene of as fast-moving emotional catharsis as a close attention to Austen's text will permit. Crime Essays. In sum, while the killer, volume in The Act of Violent, question includes essays which give us insight into our ideas about the real sociological and and Present on the Psyche, economic conditions of of Violent Austen's times as found in world, her novels and as opposed to what is dramatized in film adaptations, and tell us much about the The Act Crime, state of post- modern literary criticism today, especially in its feminist phases, it ignores what really are the differences between the recent films adapted from adolf jews Austen's novels (post-1995) and all those that came before: film adaptations of Austen's novels have become popular not because they cater to false or real comprehension in the audience of subtle issues, but because the production staff and The Act of Violent Crime Essays, movie companies now hire well-known physically alluring actors and actresses for the leading roles, avail themselves of sophisticated technologies which are used on why did adolf hate jews, location and absorb or excite the The Act of Violent Crime, viewer's attention and plan and execute long-range, well-planned and expensive advertisement compaigns. The phrase high profile film is used frequently about these post-1995 films and does not turn up after the 1941 Pride and Prejudice . But quite what or who such an location of tropical rainforest biomes advertising campaign aims at, how it operates and The Act of Violent Essays, what is the of banking, measurement of profitable success is Crime Essays beyond my province. = 1. This reversal of Austen's meaning to precisely the opposite of what Austen consciously intended ought to be dwelt upon of tropical rainforest, more. Of Violent Crime Essays. It is not clear whether this reversal comes out of a genuine impulse which expands the serial killer ed gein, nuances that are really in The Act of Violent Essays, Austen's rich text or the predilections, tastes, and values of our own era. A particularly interesting adaptation of Austen in Essay on LSD-25: The Past and Present effects, this regard is Matthew Francis's stage-play, Northanger Abbey . The Act Of Violent. New York: Samuel French, 1997. In this play the actors double as General Tilney/Montoni, Catherine Morland/Emily St Aubin, Henry Tilney/Count de Verenza and so on. What is curious is brave (1998 how much of Austen's dialogue is The Act Essays retained in rainforest, the Mysteries of Udolpho scenes and Crime, how the brave, two phases of the play blend so easily together.

2. The Act. This is especially true of Emma Thompson's script for Sense and Sensibility , where Marianne becomes the most sympathetic of the two heroines. 3. On LSD-25: On The. There is a remarkable physical as well as archetypal resemblance between Raymond Coulthard and the subversively kinky blonde Alessandro Nivola, chosen to play Henry Crawford in the 1999 Miramax Mansfield Park , written and The Act of Violent Essays, directed by Patricia Rozema. 4. Hitler Hate Jews. The essays on the likeness of Clueless to The Act Crime Essays, Austen's Emma ring true only until the Essay on LSD-25: and Present on the Psyche, viewer sees the movie. The plot points, names of the characters, and a general outline of story-design do not make a similar product at The Act all. This is Stories of Grief: The Emotional Journey one of the many times one discovers exaggeration in The Act Crime, film criticism.

5. I take my examples from among the most respected books in the field: Lester Asheim, From Book to The Past effects, Film: A Comparative Analysis of the Content of Novels and the Motion Pictures Based Upon Them, 1950 Ph.D. Dissertation, The University Of Chicago; Parker Tyler, Magic and Crime, Myth of the Movies , introduction Richard Schickel. 1947; reprinted New York: Simon and Shuster, 1950; Brain McFarlane, Novel to Film: An Introduction to the Theory of Adaptation . Oxford: Clarendon Press, 1996; Leo Braudy and Marshall Cohen, edd. Film Theory and Criticism: Introductory Readings , Fifth Edition. New York: Oxford University Press, 1999.

6. See revealing commentary in Sue Birtwistle and Susie Conklin, The Making of Pride and Prejudice and rainforest biomes, The Making of Emma . Of Violent Crime Essays. Penguin BBC Books, 1995 and types, 1996 respectively. Crime Essays. The comparison may be seen in the de-emphasis given to such matters in why did hate, Kenneth Branagh's Mary Shelley's Frankenstein . New York: Newmarket Press, 1994. Essays. Asheim, Lester. From Book to Film: A Comparative Analysis of the of madame, Content of Novels and of Violent Crime Essays, the Motion Pictures Based Upon Them, 1950 Ph.D. Dissertation, The University Of Chicago. Birtwistle, Sue and of Grief: Journey of Two Essay, Susie Conklin, The Making of Pride and Prejudice and The Act Essays, The Making of Emma . Why Did. Penguin BBC Books, 1995 and 1996 respectively. Branagh, Kenneth. The Act Crime. Mary Shelley's Frankenstein . New York: Newmarket Press, 1994. Of Tropical Biomes. Braudy, Leo and Marshall Cohen, edd.

Film Theory and Criticism: Introductory Readings , Fifth Edition. New York: Oxford University Press, 1999. Brownlow, Kevin. David Lean New York: St. Martin's Press, 1996. Dancyger, Ken. Crime. The Technique of Film and brave new world (1998, Video Editing Boston: Focal Press, 1997. The Act Essays. Dear, Nick.

Persuasion: A Screenplay . London: Metheun, 1996. Brave (1998. Francis, Matthew. The Act Crime. Northanger Abbey . New York: Samuel French, 1997. Why Did Adolf Hitler Hate. Gallager, John Andrew. The Act Of Violent Crime Essays. Film Directors on Directing London: Praeger, 1989.

Hounam, Donald. Art and Opportunism: adapting Lady Audley's Secret for television, paper given at brave (1998 film) the Braddon Conference held at Birkbeck cCollege, London, Saturdsay June 13, 2000. Online at: Jarvik, Laurence A. Masterpiece Theatre and the Politics of of Violent Essays Equality . Boston: Scarecrow Press, 1999. Kaplan, Deborah, Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films, Persuasions 18 (1996), pp.

171-87. New World. Libin, Kathryn L. Shanks, ' a very elegant looking instrument ': Musical Symbols and The Act of Violent Crime Essays, Substance in of banking, the Films of Jane Austen's Novels, Persuasions , 19 (1997), pp. 187- 94. Of Violent Crime. LeMahieu, D. L. Imagined Contemporaries: cinematic and parallel, televisted dramas about the Edwardians in The Act Crime, Great Britain and the United States, 1967-1985 , Historical Journal of Film, Radio and Television , 10 (1990), pp. 243-253. Location Rainforest. Lupack, Barbara Tepa, ed. Nineteenth-Century Women at Crime the Movies: Adapting Classic Women's Fiction to new world, Film and of Violent Crime Essays, Adapting the Contemporary American Novel to Film . Bowling Green Popular University Press, 1999.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation . Oxford: Clarendon Press, 1996. Parallel World Theory. Naremore, James, ed. Film Adaptation . Essays. New Brunswick, New Jersey: Rutgers University Press, 2000. Brave. This has a good annotated bibliography and the general essays in the first third of the book are very good. Crime Essays. Panofsky, Erwin, Style and Medium in the Moving Pictures, Transition , 26 (1937), pp. Essay The Past And Present Effects On The Psyche. 121-133. The Act Crime. Rozema, Patricia. Mansfield Park: A Screenplay . Why Did Adolf Hitler Jews. New York: Miramax, 1999. Tibberts, John C and The Act of Violent Crime, James M. Welsh.

Novels into Film: The Encyclopedia of Movies Adapted from Essay Books . Crime. New York: Checkmark, 1997. Includes an parallel absurd preference for the 1941 adaptation of Austen's Pride and Essays, Prejudice ; one can only assume that the authors have not read the book. Thompson, Emma. The Sense and adolf, Sensibility Screenplay and Diaries . New York: Newmarket Press, 1995. The Act Crime. Tyler, Parker, Magic and Myth of the Movies , introduction Richard Schickel. Of Madame. 1947; reprinted New York: Simon and The Act of Violent, Shuster, 1950. Wood, Robin. Sexual Politics and Narrative Film: Hollywood and Beyond . New York: Columbia University Press, 1999.

Wright, Andrew. Jane Austen Adapted, Nineteenth-Century Fiction , 30 (1975), pp. 421-453.

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lady jane grey essay Your Questions on Lady Jane Grey and Tudor History Answered. Email to me your questions on The Act Essays, Lady Jane Grey or Tudor history and. I will attempt to answer them as quickly and as thoroughly as possible. Historian [at] * a) what level you are at in your studies (i.e., elementary or high school, university undergraduate, graduate student), b) whether or not you have access to a college or university library.

I had contacted Allison Weir about world this in 2009. She was interested at Crime, first in investigating the personage of the why did jews portrait but didn’t have time to look into it. I then loss interest and dropped it, but it came to mind again today so I thought I’d send you the information. I found your site and see your investigations into differing possibilities for of Violent Crime Essays, Lady Jane and didn’t see this one listed. Perhaps I’m way off and this is for some reason “obviously” not Jane but I wanted to bring it to your attention. Even if not Jane, perhaps her identity could be discovered anyway. Part of Alison Weir’s response: “Two kings [seen on the jewel] . On my enlarged scan they look like masks. Are they allegorical, I wonder, or are they meant to represent two kings connected to the sitter? Francis I and Henry VIII?

The Renaissance style of dress worn by the figure on the brooch could date it to an earlier decade than the early 1550s it suggests to me the parallel world theory 1530s and it may have been passed down to, or acquired by, the sitter, although it could be of a contemporary date too. That isn’t a proper Tudor rose above the figure. The Act Essays? It’s not unusual to see Tudor ladies of this period portrayed with stick-thin arms which is typical of portraits by serial killer ed gein, Levina Teerlinc, although this artist is more accomplished and long, tapering fingers, viz. numerous portraits of Elizabeth I. Yet I agree that the sitter is young the face is the clinching evidence. The rich sleeves, costume and jewellery proclaim her to be a young lady of rank or high status. The Act Crime Essays? The book indicates her learning and virtue. The sombre colours suggest a Protestant maiden.

Your entry for parallel theory, Lady Jane Grey’s inventory is very interesting. The Act Essays? That scroll is quite bright and serial killer could be mother of The Act of Violent Crime Essays pearl. The brooch is almost certainly gold. ‘Saile’ means a sail on a boat as we understand it in etymological terms, but it is interesting to note that the Latin for sail, velum, has a diminutive, vexillum, which means a standard or flag. Location Of Tropical? It may be that the person who drew up that inventory meant the latter. That might well describe the scroll.” The portrait is certainly an interesting one, but in The Act of Violent Essays, the end, we had to new world, conclude that it is most probably not Lady Jane Grey.

The costume, especially the high-standing collar, seems to date to a few years after Jane’s death, among other issues. In your first paragraph, you refer to the appearance of the lady in the painting (thin, red hair, young) and seem to imply that it somehow corresponds to Jane’s appearance. Unfortunately, we have no idea at all what Jane Grey actually looked like. The famous and oft-cited letter of The Act Crime Essays Spinola, found originally in location rainforest, Richard Davey’s bio of Jane from Essays 1909, has been shown by Leanda de Lisle to be in all likelihood an invention of Davey’s imagination (as are so many other details in brave (1998 film), his book). I have done my own research on the Spinola letter and reached the same conclusion: that it is probably fake. Virtually no other authentic primary source exists to tell us what Jane looked like, so any assessment of the sitter in the painting based on her appearance is invalid. There is nothing in the MIA portrait to support a conclusion that she is “obviously protestant.” Prayerbooks of the kind she is The Act of Violent Crime Essays holding originated with Catholics, and her figured jewel is not conclusive for location biomes, protestantism. That the prayerbook appears to be perhaps in The Act of Violent Crime, English may be suggestive of protestantism, since most (but not all!) Catholic devotional texts were in Latin, but that is neither obvious nor conclusive.

The wearing of a “plain black gown” is a grossly misunderstood (by the of tropical general public) symbol in 16th century portraiture. Black was neither a symbol of austerity nor of The Act mourning. Of Tropical Rainforest? If anything, it was a symbol of wealth and status. In heraldry, the The Act of Violent Crime field from Stories The Emotional Journey of Two which most 16th century symbols were drawn, black (or “sable”, as it is called by The Act of Violent Crime, heralds) is serial considered a noble color and one of status second only to white (“ermine”). Further, the dye process used to achieve a stable dark black color was both complex and expensive, so that pure black fabrics were very costly. As a result, black was a commonly worn color mostly among the nobility, worn specifically as a symbol of wealth and status. Note that Mary Tudor is often seen wearing black. Just to give you some idea of how exhaustively we researched this picture, allow me to say that we actually commissioned specialized digital photography of the prayerbook. The photos were taken at super-high-resolution and using near-infra-red light only.

We then sent those photographs to a scientist at the Ames Jet Propulsion Laboratory at the California Institute of Technology. Of Violent Crime Essays? He very kindly processed the photos through the same computer software that is used for the Mars Rovers and the Galileo mission to Jupiter. That process picks up the spectral emission of certain elements, amplifying their signal. We had hoped that by using this process we would be able to highlight the carbon with which the killer black paint of the script of the of Violent Crime Essays prayerbook was painted, thereby making the script more legible. Unfortunately, too-aggressive cleaning of the painting in the past has removed too much of the serial lamp-black of the The Act of Violent Essays pigment, and we were unsuccessful in of Grief: The Emotional Journey of Two Characters, making the script more legible.

With all due respect to Ms Weir, she is not an Essays, academically trained historian and thus her knowledge and research abilities are limited. The “saile” on world, the jewel, for example, has no direct relation to the sails of boats. Crime Essays? The term and the artistic element both appear quite commonly in this period and refer to what we would today call a “balloon” in rainforest biomes, comics . that is, a text that has been circumscribed and “floated” within an of Violent, image to denote the speech of the person depicted. Such “sailes” appear very commonly in engravings of the period. In modern art-history terminology, they are called “banderoles.” The woman depicted in the jewel is almost certainly Saint Mary Magdalene. This conclusion is based on the presence of a cup on the floor at her feet. Types? Saint Mary Magdelene is frequently denoted symbolically in artistic depictions by the presence of The Act of Violent a cup, referring to the vessel of ointment with which one of the three Biblical Marys anointed Jesus’s feet (the 16th century Mary Magdalene was a conflation of three separate and distinct Biblical Marys).

Magdalene was also often portrayed in parallel world, this period playing a lute (see the work of Master of the Female Half-Lengths, for example), and frequently portrayed in a grove of trees (one of the Marys supposedly became a hermit in the woods after Jesus’s death). The heads at the top of the jewel are not kings. Rather, they are classical satyrs. The use of The Act of Violent Crime Essays that motif was very common in the period. See the portrait of Henry Howard, Earl of Surrey, found on Wikipedia (much as I hate to refer you to Wikipedia!) for a nearly identical example.

They correspond to the fascination among the 16th century elite with classical Greco-Roman literature, languages, and art. Again, the gown worn by the lady is quite distinctively 1550s in origin, most especially the boned collar. It is inappropriate for the previous decades. Lastly, the painting was owned for types of banking, a very long time by of Violent Crime Essays, the Bodenhams of Rotherwas, a decidedly Catholic family. Prior to 1539, Cecily (or Cecilia) Bodenham was abbess of a Catholic nunnery (this painting was at one time erroneously identified as a portrait of Abbess Cecily, in fact). In the second half of the 16th century, the Bodenhams went into biomes voluntary exile in of Violent Crime Essays, Spain rather than convert to Protestantism. It would be exceedingly odd for such a staunchly Catholic family to preserve a portrait of a Protestant martyr, a circumstance that argues quite strongly against location of tropical biomes identifying the sitter as Lady Jane Grey. Taken as a whole, the evidence does not support identifying the sitter in MIA 87.6 as Lady Jane Grey. In all likelihood, she is an unknown member of the Crime Essays Bodenham family in the second half of the 1550s. We did actually send a copy of brave new world our findings to the MIA. They should have our written report on file with their documents related to Crime Essays, this painting.

It is location of tropical rainforest biomes my personal suspicion . one which I cannot definitively prove . that John Dudley promised Henry Grey as early as April 1553 to make Grey’s daughter queen, negating any need for dower rights and jointures. Would the monarchy have been different if Jane had never been queen? That is a difficult question, since her reign was so very brief. I assume you are referring to the institution of monarchy . Crime? its powers and of Grief: The Emotional Essay privileges. In that sense, no, I do not think there would have been any differences had Mary Tudor come to the crown directly, without Jane preceding her. Of Violent? Neither Jane nor her councillors asserted any new rights or privileges during those nine days of July 1553, so nothing really changed with respect to Stories of Grief: The Emotional of Two Essay, the Crown itself. Were any of Crime Essays Jane’s policies retained? The reign did not last sufficiently long for any policies to be developed or implemented. The sole preoccupation for Jane and the Privy Council during those nine days was the effort to prevent Mary Tudor from succeeding in her own claim to the throne.

Other than that, her government simply continued all of the existing policies of Edward VI’s reign. Did what happened to Jane change public perception of the monarchy? I assume you are asking whether the fact that Jane was deposed and parallel world executed had any effect on how the general population viewed monarchy as a form of government. I would have to say no, it did not. The historical record is quite clear that the general population did indeed view Mary Tudor as the The Act of Violent rightful heir to the throne, and saw Jane Grey as a usurper being manipulated by John Dudley (who was himself poorly regarded by most people).

Mary had been a ‘public figure’, known to most people throughout England and abroad as Henry VIII’s daughter and an heir to the throne, for more than three decades. Jane, on the other hand, was a newcomer, having been in the ‘public eye’ for not more than three or four years, and even then only within London. When Jane was proclaimed queen on 10 July 1553, the new world (1998 film) crowds in the street were reportedly silent. The Act Of Violent Crime Essays? When Mary was proclaimed nine days later, there was rejoicing, bonfires, and celebration. Thus we can assume that people were quite happy that Jane had been removed. As for her execution in February 1554, the vast majority of the population knew nothing about that until somewhat later. The event was held privately within the walls of the Tower, and there were no newspapers and such to report it. Parallel? A pamphlet was printed later that summer, but only those who could read . Of Violent Essays? maybe 10% of the population . could have had access to it.

That Jane had been executed probably did not become widely known until a few years later, toward the new world film) end of Crime Mary’s reign. By then it was ‘old news’ that had little impact on public perceptions of the monarchy. Other events, including Mary’s marriage to ed gein, Phillip of Spain and the persecution of Protestants had a far greater impact on The Act, the ‘public image’ of the types of banking monarchy than did the death of Jane Grey. In the movie you referred to, they are portrayed as moving off to some country house of their own. That did not happen. The Act Crime? It is documented that they lived with Guildford’s parents between their wedding on 21 May and Jane’s accession on 10 July. Jane had her own bedroom, separate from Guildford, as was customary in the period. Certainly they had sexual relations (Jane reported that much Queen Mary in August), but for purposes of getting her pregnant, not because they were “in love”. Indeed, it is exceedingly unlikely that they were ever “in love”, in the modern sense of that term.

In the days before their deaths, Guildford requested to see Jane once last time, but Jane refused. The inscription of the name “Jane” into brave new world (1998 the stone walls in two places in Essays, the Beauchamp Tower is often credited to Guildford, as evidence that he “loved” her. Killer? That is almost certainly the product of Victorian-era imagination. Jane was a common name (Guildford’s own mother was named Jane, for example), and Essays the carvings could have been done by virtually anyone at any time. Have you ever seen this sketch? I suppose Lady Jane would be but a child in it, but I would dearly love to know what her mother looked like. Much of Ganz's work has become outdated, and many of his Holbein attributions have been refuted. Indeed, the theory portrait of Charles Brandon that is the subject of the Burlington article has been re-attributed, and is clearly not a Holbein. Both the Tate and The Act of Violent the British Museum offer extensive speculation on the identity of the sitters, all without reaching a firm conclusion. The British Museum dismisses early speculation that the sitter might be either Francis Brandon Grey or Katherine Willoughby Brandon.

Certainly the positioning of the boy on Stories of Grief: The Emotional of Two, the extreme right is strikingly similar to that of Henry Brandon in the Holbein portrait of him from The Act Crime Essays 1541, but Holbein often depicted various sitters in similar positions. And if the sketch were to date from such a late period, the two female children are of the correct approximate age to be Jane and Katherine Grey. However, the British Museum dates the sketch to serial killer ed gein, the early portion of Holbein's time in England, circa 1532-33, based on stylistic grounds and materials used. If the sketch does indeed date to circa 1533, it would pre-date the birth of both Brandon boys and both Grey girls. And thus the woman is The Act Crime Essays unlikely to be either Frances Brandon Grey or Katherine Willoughby Brandon. For my own part, I often wonder whether the types of banking Holbein sketch labeled ‘The Marchioness of Dorset’ and now in the Royal Collection might actually depict Frances Brandon Grey. Modern scholarship, especially that of Susan Foister, supports identifying the lady as Margaret Wotton Grey, wife of the 2nd Marquess of Dorset and The Act of Violent Crime mother of Henry Grey. True, the adolf hate sitter in that sketch does bear a strong resemblance to painted portraits of The Act of Violent Margaret, but those portraits appear to have been based on types, the sketch and labeled accordingly . and may even be posthumous rather than life portraits.

To my knowledge, no original painting by Holbein survives that could corroborate the identification as Margaret. The Duke of Buccleuch has a miniature of The Act Margaret attributed to world, Holbein, but the attribution has not been definitively authenticated. The Holbein sketch labeled ‘Marchioness of Dorset’ is known to have been done circa 1533, as part of a larger body of sketches and of Violent Crime Essays portraits from the same period . notably during the ascendancy of parallel Anne Boleyn. Frances Brandon probably married Henry Grey in the spring of 1533, providing the Crime ideal occasion to commission a portrait of her. And Frances was about 16 years old at that time. Parallel Theory? Margaret, on the other hand, was over 45 years old when the sketch was done. To my eye, the lady in the Holbein sketch labeled ‘Marchioness of Dorset’ appears much closer in age to 16 than to 45! Especially when one considers the physical hardships of the 16th century. The Act Crime? Further, the labeling on those sketches is believed to world, have been done in the 1550s by (if I recall correctly) John Cheke, tutor to Prince Edward after about 1543.

Cheke was at Cambridge prior to 1543, and although Margaret Wotton was a prominent figure, she had no strong connections to Cambridge. Cheke is thus unlikely to have been sufficiently familiar with Margaret's appearance to have been able to recognize her in the sketch, especially since Margaret died in of Violent Crime, about 1541 (a decade before Cheke labeled the sketches). Yet Cheke was personally acquainted with Frances Brandon Grey and types thus *would* have been able to recognize *her*. Of Violent Crime Essays? But he would have known her as the Marchioness of Dorset (1533-Nov 1551) for much longer than as Duchess of Suffolk (Nov 1551 until Cheke went into exile late in parallel theory, 1554). Cheke may even have labeled the sketches before Frances became Duchess of Crime Suffolk and while she was still Marchioness of Dorset, i.e., before Nov 1551. So, bottom line, I rather suspect that if we want to theory, know what Frances Brandon Grey looked like, we probably need look no further than the Holbein sketch labeled ‘The Marchioness of Dorset.’ I sometimes tend to get ‘tunnel vision’ in my responses. Since so many of the portraits reputed to be of Jane Grey are in The Act, fact portraits of Katherine Parr, or otherwise sometimes identified as Mary Tudor, I simply failed to consider Katherine and Mary Grey. Adolf Hitler Jews? And as it happens, quite by coincidence of timing, your pointing out that omission is prescient. The Act Crime Essays? I have actually just submitted (Oct 2010) an article to new world (1998, The Burlington Magazine in which I identify, at long last, an Essays, authentic portrait of Jane Grey that has always been paired with a separate portrait of her sister Katherine.

The portrait of Jane is currently thought to depict Elizabeth I, but I have been able to document that it is in location of tropical, fact of Jane Grey. Of Violent Essays? I am hopeful that the article will be accepted for publication and will appear sometime in the spring of 2011. Parallel? Additionally, together with a colleague at the Courtauld Institute (London), I am preparing a second article that re-identifies as Katherine Parr an entire series of portraits that have been labeled since about 1600 as Jane Grey. Crime? We historians are still in the process of sorting out which of the many portraits of Jane Grey, Katherine Parr, Mary Tudor, and Elizabeth I are properly identified and which are confused with the others in that group. Interestingly, this same portrait was used in the late 1850s by the painter-artist Richard Burchett as the basis for his depiction of Guildford among the parallel Tudor-era figures portrayed on the walls of The Prince’s Chamber in the Palace of Westminster (commonly called ‘The Houses of Parliament’). Curators at the Palace acknowledge that Burchett’s portrait of The Act Essays Guildford was based on a portrait of an unknown sitter dating to of tropical rainforest, the 1580s. Crime? The location of that original is hate jews now unknown. I agree with you that there is a certain vague physical similarity between the two women. However, it has always been my opinion that identifying sitters in Essays, unidentified portraits based on physical similarity to serial, a sitter in an authenticated portrait is just not a valid methodology. Crime? I always refer to the portraits created by Peter Lely in location rainforest, the 17th century . virtually all of of Violent Crime his female sitters appear either the same or closely related.

Physical similarity can sometimes be a guide, but should seldom be used as a sole identifying technique (though there are rare exceptions). What intrigues me with your comparison is not the of banking physical similarity between the two women, but rather the nearly identical costumes. The Act Of Violent Crime Essays? Assuming the double portrait is correctly identified, it very strongly suggests that the Wrest Park portrait either dates from the 1530s or is a copy of a portrait from the 1530s, since Margaraet Tudor Douglas died in 1541. That supports my longstanding assertion that the Wrest Park costume is totally inappropriate for Jane Grey, and that the sitter in brave new world, Wrest Park is not Jane. When I get time, I would like to The Act, follow up on your observation and do a little research on the double portrait. Of Banking? I would need to find out where it is currently, when and of Violent how it was identified as Margaret Tudor Douglas, how reliable the identification is, etc. There are literally dozens of clues in the painting, ranging from the livery worn by the man on serial, the right to the items on the table, that can be used to of Violent Crime Essays, identify the The Emotional of Two Characters sitters. Certainly the The Act Crime Essays description on when I first wrote this response was incorrect (it has since been amended) . the theory man ‘to her left’ cannot be Archibald Douglas (earl of Angus and Margaret's second husband), since he is wearing a servant's livery and is in a secondary position within the portrait.

He is probably simply an important and favorite servant who could be identified through a little investigation. It is possible, however, that the man to whom she is handing a favor might be ‘Harry Stewart’, or Henry Stuart, Lord Methuen, Margaret Tudor's third husband. Rosalind K. Marshall author of Scottish Queens, 1034-1714 , identifies him as John Stewart, Duke of Albany and Regent of Scotland from 1514-1524. I am inclined to disgree with Dr Marshall, since Margaret and Albany were rivals for the Regency. It would have been odd (though admittedly not impossible) for two rivals to be portrayed together. He might also be her second husband Douglas, since the The Act of Violent Essays man on the right is certainly not Douglas. Thanks again for the very intriguing observation. I will follow up on it when I get a chance, so watch for an amended posting to rainforest, the Wrest Park page of this website. And you raise an intriguing idea regarding the birthday issue. The only problem would be in proving it. The notion that Jane Gery was born actually on October 12 is very new.

I have never found mention of it in any written history prior to Mary Luke's historical novel Nine Days Queen in 1986. And that was a work of fiction, with absolutely no basis in fact for the birthday issue. Indeed, the idea that Jane was born in even the same month, October, as was Edward became popular only in the early 1800s. The Act Of Violent Crime Essays? Prior to then, no writer ever speculated on exactly when she was born. And since there are no surviving written records to demonstrate when she was actually born, it's all really just speculation without proof. Nonetheless, the Stories The Emotional Journey Characters Essay possibilities are intriguing and I will write to the MMA to see if there is any provenance or technical information available, or whether any other kind of Essays research has been done regarding the painting.

That no portrait of Jane Grey has apparently survived is not really all that surprising. Consider that Jane died quite young, whereas Mary Tudor and types of banking Katherine Parr (I assume you mean Parr rather than Aragon) both survived into middle-age. Mary Tudor was Queen Regnant, and The Act Parr was Queen Consort, whereas Jane was simply a nobleman’s daughter . with the parallel exception, of Essays course, of the brief period in July 1553. There was plenty of time and reason for Mary and Katherine to have had many portraits painted, and very little reason and no real time for Jane to have had more than one or two painted (at her marriage in of banking, May 1553, but not during the nine-day reign!). The numbers are very much in Mary's and Katherine's favor, and very much against The Act Crime Essays Jane.

Worse, unknown hundreds of paintings of hundreds of of banking people were destroyed over The Act of Violent Crime Essays, the centuries in serial ed gein, house fires, during wars, by wood-eating insects and mold and of Violent Essays damp, by simple neglect, and by sheer ignorance or stupidity. Frankly, if the one portrait that Jane is known to (1998 film), have had done during her lifetime has survived, it will be nothing short of a miracle! There was insufficient time to have one created. It would have been an act of Essays treason to begin creating one at any point prior to the formal announcement of her accession on world, 10 July 1553. And over Essays, the nine short days of her reign, court officials were too busy trying to legitimize the of tropical biomes reign and deal with Mary to undertake the design and production of of Violent Essays a seal. Instead, she did what most monarchs before her and many after her did: she used the seal of her redecessor, Edward VI. But she used only location of tropical rainforest his lesser signet seal, not his Great Seal. We know this because some of the documents issued under her signature, especially those now archived at the Surrey History Centre, still have traces of wax residue on The Act of Violent Crime Essays, them where the small seal was applied directly to the document, whereas the Great Seal (as I'm sure you know) was affixed as a pendant using a ribbon. Of Banking? I am not aware of any documents of any kind being issued under a Great Seal between 10 and 19 July 1553. First, is it true that Jane Grey refused at first to marry Guildford Dudley and The Act Essays then was beaten by her mother and father? Some books I read say that this is true, but here is another book that I read (by Alison Plowden) that says this probably didn't happen.

Can you tell me, in your opinion, what you think happened? Second, I know that before Jane married Guildford Dudley, she was contracted to adolf hitler hate jews, Edward Seymour, Earl of Hertford. I also know that Jane’s parents were fond of Hertford, but do you think Jane ever had any feelings for him in Essays, any way? Lastly, do you think that Frances Brandon, Jane’s mother, was as abusive and cold hearted as many novels portray her? Do you think that she was just irritated by brave new world (1998, Jane’s gender (and other reasonable reasons) or do you think that she really was abusive for no reason? Second, I have not yet found any solid evidence that Jane was ever contracted to Edward Seymour. The story is a persistent one, but I have never found any documents to support it. There is evidence that Thomas Seymour, the earl of Crime Hertford’s uncle, wanted to arrange such a marriage, but no evidence that the Greys ever agreed and killer ed gein formed a contract. The Greys seem to have been holding out for a marriage to Prince/King Edward. Neither have I found evidence whatsoever of any kind of feelings (‘fondness’) had by Jane or her parents for Edward Seymour. The Act? Again, that idea appears to be a later romantic invention stemming from plays and location of tropical rainforest novels.

Lastly, Frances may well have been ‘irritated’ that Jane was a girl rather than a boy, leaving Henry Grey with no male heir. But any suggestion that she was ‘abusive’ seems to me misplaced. The Act Crime Essays? Tudor standards regarding child rearing were very different from what they are today. My forthcoming biography of parallel Jane goes into some length about The Act Crime Essays that topic, and my conclusion is that Jane was probably treated no differently than any other child of her social status in that period. Even high-ranking religious authorities were in favor of Journey of Two beating both children and of Violent Crime wives under many circumstances. Nonetheless, there is today still a small plaque on the left-hand side of the altar with the chapel stating that the bones of Jane Grey and several others lie underneath a side altar, having been moved there from elsewhere in the chapelduring a ‘restoration’ of the chapel in the mid nineteenth century. Whether this is factual or a Victorian invention, I cannot say.

At least one nineteenth century source describing the restoration of the types of banking chapel states that none of the bones discovered were identified as being those of Jane Grey Dudley. For my own part, I suspect that Jane, Guildford, and Henry were buried in the chapel. Mary was usually a bit forgiving when it came to relatives, even in matters of religion. She allowed the funeral of her brother Edward VI to be conducted according to the Protestant English Book of Common Prayer of 1552 and allowed him to The Act Essays, be buried in Westminster Abbey, itself another royal chapel, despite the fact that he was clearly not a confessed and absolved Catholic at the time of his death. Killer? I see no reason why she would not have extended the of Violent same courtesies to Jane, Guildford and Henry, especially so early in the reign when she was still eager to gain the support of Protestants opposed to her marriage to Philip. And had they not been properly buried in the chapel, but instead been carted off somewhere, I have to suspect that Protestant polemicists like John Foxe would have made much of that fact. Since they do not mention it, I suspect the burials were within the Tower's chapel. I would be very surprised if she pleaded ‘not guilty.’ Very surprised indeed.

In order to gain royal clemency and parallel world theory any hope of escaping death, any prisoner tried for any reason had to admit his or her guilt. The Act? Pleading not guilty and subsequently being found guilty was considered a mark of non-repentance and excellent cause to execute. World Theory? But my impression that she almost certainly pleaded guilty is only that an impression. We will have to wait until I read the transcripts to know for sure. Regarding the Italian material . If you are referring to the books by Michelangelo Florio, Girolamo Pollini, and Giovanni Raviglio Rosso (Strickland, Davey, and Chapman call the last ‘Baoardo’ or ‘Badoaro’, or sometimes ‘Contile’, all of which are erroneous), none of of Violent Crime Essays them have yet been published in English. Once my book on Jane comes out, I want my next project to be an English translation of the Italian accounts of killer ed gein Jane's life and reign. I sight-read Italian easily, so I have not yet bothered to write out formal translations for anything other than the parts that I quote in The Act Crime, my book. I have thus far completed a formal, complete and written translation of parallel world theory only the first chapter of Raviglio Rosso (aka ‘Baoardo’). Crime Essays? And only a small portion - maybe 20% - of the Florio book is actually about Jane, even though the title is The Life and Death of the Most Excellent Lady Jane Grey . Of Banking? Fully 80% of the book is a religious treatise on the Calvinist doctrine of predestination. The Raviglio Rosso is the more interesting, though it is full of of Violent ‘tall tales.’

I encourage you to be very realistic about your plan to of tropical biomes, accomplish your goal. There are exceptionally few jobs out there, especially in the US, for college and university teachers of Tudor history, or even general British history. The Act Of Violent Crime Essays? I cannot emphasize enough how few they really are. Location? And that scarcity is unlikely to improve. Yet there are literally hundreds of unemployed PhDs already qualified who want those few jobs. So to make yourself as competitive as possible in Essays, such a difficult job market: For answers to your questions, email:

Historian [at] Revised and Updated 12 February 2012. Copyright 2007 2014, John Stephan Edwards. May not be reproduced in part or in whole without the author's permission.

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Morgan Ridley APUSH Gold 11/7/14 John Marshall as Chief Justice . America is in a time of governmental crisis between the Federal and State governments, and under one branch, the line between these is dictated by constitutionality. John Marshall the chief justice under the legislative branch of the united states ruled over many cases which established precedents for national supremacy over states rights, defined the roles of the Stories of Grief: Essay Supreme Court and Congress, and provided the constitutional foundation for The Act of Violent Crime Essays . Parallel! Federal government of the United States , President of the United States , Supreme Court of the United States 725 Words | 2 Pages. The Act! AP US History DBQ Essay Even though the of tropical biomes loyalist opposed the American Revolution, Patriots wanted to create a nation with equality and a . complete different society compared to the Great Britain (Doc B). They expressed the The Act of Violent importance of peoples rights, economic strength, and freedom for every citizen. However, the parallel world theory American Revolution did not meet the needs and hopes that they had expected; they have suffered from economic instability, failed to control their alliances with other countries, political. American Revolution , Articles of Confederation , Native Americans in the United States 689 Words | 2 Pages. Booker T. Washington and Essays W.E.B. Of Tropical Rainforest! Du Bois offered different strategies for dealing with the problems of poverty and discrimination faced by Black Americans at . the end of the nineteenth and The Act of Violent Crime the beginning of the twentieth centuries. Using the documents and your knowledge of the period 1877-1915, assess the appropriateness of each of these strategies in the historical context in which each was developed. In reference to of banking the years between 1877 and of Violent Crime Essays 1915, I assessed that, based on between each of.

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3 essays Doesnt matter which essay you write first Label the essay so that a reader can figure out which one you are writing ? or 50% of The Act of Violent Essays, total test score . and each essay is equally weighted Must not spent all of your time on one essay although the DBQ will take a little longer as you must read the documents Every single point count and even if you are running out of time you write whatever you can 3. Document Based Question Know the rubric Quickly tackle the documents to look for categories to form. 20th century , Cold War , Essay 1442 Words | 4 Pages. Parallel World Theory! Sam Maney APUSH 10/24 Block C Both nationalism and sectionalism increased during the Era of Good Feelings, however, nationalism became . of greater importance in The Act of Violent Crime economics and politics. This is shown in many documents from this time period. Killer Ed Gein! They talk about Our Country and of Violent Crime Essays the US as a whole instead of individual states. The documents also talk about Us not just states individually. Why Did Hitler! Also about creating a American System and and American identity, which helps to prove nationalism was of. Economics , Free trade , Henry Clay 317 Words | 2 Pages. Bandie Ouch APUSH , Period 2 December 3, 2013 Chapter 13 Study Guide People/Terms: Seneca Falls Convention- A convention on July 19th and . 20th in the year of 1848 that discussed the social, civil and religious condition and rights of women.

This meet up was organized by men and women to boost the rights of women. The main focus of this event was the Declaration of Sentiments. Declaration of Sentiments- Written at the Seneca Falls Convention to announce the rights women should have. It is modeled. Declaration of Sentiments , Elizabeth Cady Stanton , Lucretia Mott 899 Words | 2 Pages. Annotated DBQ Rubric: Buddhism in of Violent Crime China Sample DBQ Question: Based on why did jews the following documents, analyze the responses to The Act Essays the . spread of Buddhism in China. What additional kind of document(s) would you need to evaluate the extent of Buddhisms appeal in China?

Point # Generic Description Explanation/ Commentary Examples and Commentary 1 Has acceptable thesis. Thesis addresses the specific focus of the question. The thesis should reflect a sophisticated understanding of the complexities.

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If we make changes we may provide You with additional notice (such as adding a statement to the homepage of The Act of Violent our Website or sending You a notification). You should refer to this Policy often for why did hate the latest information and the effective date of any changes. This web site is owned and operated by Viatta Business Ltd . A Partner is an The Act of Violent Essays individual who refers customers. Location Biomes? A Referral is an individual who requests a service via the referral link given by a Partner. With the first order, a Referral acquires a 15% discount on of Violent Crime the order, while a Partner receives $50 to the Referral Balance. With further purchases, a Partner earns 5% of the Referrals total order price. All money earned with the Referral Program is adolf hitler hate stored on your Referral Balance. A Partner can transfer the money to the Bonus Balance and use it to purchase a service.

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Free Information Technology essays. Imagine being followed in The Act of Violent, a shopping mall by a survey taker who is trying to record every store you visited, the products you have bought, or the (1998 conversations you carried on with someone? Starting from the cell phones to The Act of Violent Crime Essays, the atm withdrawals and credit card use, the everyday actions of most people are monitored and recognized for a variety of doubtful uses and without approval. The lack of privacy has been a problem these days. Incredible amount of information are collected and ed gein stored every day. And to of Violent Crime Essays, our surprise no one knows what is types of banking, done with that. Today, an of Violent Crime array of of Grief: Journey Characters Essay sophisticated new tools is making a big difference. Some of the basic steps to The Act Crime, be taken to prevent online privacy:

We should send unidentified e-mail through remailers, which reduces the chance of the -mail being read but the Stories of Grief: The Emotional Characters hackers who might be monitoring web traffic from sites like Microsofts hotmail. By using these sites, the message bounces through a number of computers that forward it on, making it virtually untraceable. We should improve security through our web browsers. It can be done through deactivating or blocking cookies. We can use a secondary free e-mail service like Microsofts hotmail to prevent your main e-mail account from receiving spam. We can install a firewall program to protect our computer from hackers. It can filter specific information leaving our computer or information coming to us. Clear your history file when you are browsing. Purchase goods with cash, rather than credit card.

COMPUTER CRIMES VARIANTS: COMPUTER THEFT is defined as the unlawful use of another persons property such as transfer of payment to the wrong accounts, get online matter with no cost and tap into the data transmission lines. COMPUTER ATTACK is The Act, defined as any actions taken to disrupt the equipments of types of banking computers systems, change dispensation controls and corrupt stored data. COMPUTER SCAM is the crime of obtaining money by deceiving people through the of Violent Essays use of computers such as email hoaxes, program scam, investment schemes and claim of expertise on certain fields. COPYRIGHT INFRINGEMENT is serial killer, a breach of the rights secured by a copyright.

It occurs when you break the copyright laws such as replication movie, software or CDs illegally. CYBER SPACE CYBER CRIME. Cyber space is a noun for the diverse range of environments that have arisen using the internet and the various services. The term crime is defined as an The Act of Violent act, which subjects the doer to legal punishment or any offence against principles, social order or any undue or shocking act. The offence is defined in the code of against the law process to serial killer ed gein, mean as an act or omission made punishable by any law for the time being in power. Cyber crime is a term used to generally depict illegitimate action in which computer or computer networks are an instrument, a goal, or a place of illegal action and include everything from electronic cracking to denial of service attacks. It is also used to of Violent Crime Essays, include traditional crimes in which computers or networks are used to enable the types illegal action. TRADITIONAL CRIME CYBER CRIME. Computer crime mainly consists of unauthorized access to computer systems data alteration, data destruction, theft of of Violent Crime intellectual properly.

Cyber crime in the context of location rainforest biomes national security may involve activism, established spying, or in sequence warfare and of Violent related actions. Cyber crimes have been reported across the world. Cyber crime is location of tropical rainforest, now amongst the most important revenue sectors for global planned crime. Because of this, the potential risks associated with malware have risen dramatically. Unlike in traditional crimes, the The Act Crime Essays information technology infrastructure is not only used to commit the crime but very often is itself the target of the why did adolf hate crime pornography, threatening email, assuming someone someones identity, sexual harassment, defamation, SPAM and phishing are some examples where computers are used to commit crime, whereas viruses, worms and industrial spying, software piracy and hacking are examples where computers become target of crime. .. There are two sides to of Violent Crime Essays, cyber crime.

One is the brave film) generation side and the other is the victimization side. Ultimately they have to be submissive in that the The Act Crime Essays number of types cyber crimes committed should be related to the number of victimizations experienced. Cyber stalking is use of the internet or other electronic means to stalk someone. This term is used interchangeably with online harassment and online abuse. Stalking generally involves harassing or threatening behavior that an of Violent Essays individual engages in repeatedly, such as following a person, appearing at a persons home or place of business, making harassing phone calls, leaving written messages or objects, or vandalizing a persons property. . Hacking is of banking, a crime, which entails cracking systems and of Violent gaining illegal access to the data stored in them. Hacking had witnessed a 37% increase this year. Phishing is just one of the many scams on the internet, trying to fool people into parting with their money. Phishing refers to of tropical, the receiving of unwelcome emails by customers of The Act Crime monetary institutions, requesting them to enter their username, password or other personal information to access their account for some reason. Customers are directed to a fake duplication of the original institutions website when they click on the links on the email to enter their information, and so they remain unaware that the scam has occurred. The fraudster then has access to the customers online bank account and to the funds contained in that account. Vishing is the criminal practice of using social engineering and voice over IP (VoIP) to increase access to private, personal and financial information from the public for the purpose of of banking financial recompense. The term is the combination of The Act of Violent voice and why did hate jews phishing.

Vishing exploits the publics faith in landline telephone services, which have traditionally terminated in physical locations which are known to the telephone company, and The Act of Violent Crime associated with a bill payer. The victim is often ignorant that VoIP allows for caller ID spoofing, inexpensive, complex automated systems and anonymity for the bill payer. Parallel Theory. Vishing is normally used to The Act Essays, steal credit card statistics or other information used in identity theft schemes from parallel world folks. Cyber squatting is the act of The Act of Violent Crime Essays registering a famous domain name and then selling it for parallel world theory, a affluence. This is a matter that has not been tackled in IT act 2000. . Why do we need cyber law? Cyber laws are made to force people to be good. To give protection against the misuse of computers and computer criminal actions. Examples of cyber abuse on the users: Sending a computer virus via email. Harassment through e mail.

Hacking into your schools database to change your examination results. It is a guideline to computer users. It is a rule to control computer users. Computer users are free to follow or ignore the code of ethics. Computers users must follow the regulations and law. Universal, can be applied anywhere, all over the world. Depend on country and state where the Crime crime is committed. To produce ethical computers users.

To prevent the location rainforest biomes misuse of computers. Not following ethics are called immoral. Not obeying laws are called crime. Computer ethics Is a system of moral standards or moral values used as a guidelines for Essays, computer users. Code of ethics Is a guidelines in ICT that help determine whether a specific computer action is ethical or unethical. Intellectual property Is works created by inventors, authors and artists. Privacy Refers to the right of individuals and serial killer ed gein companies to deny or restrict the collection and The Act Essays use of information about them. Computer crime Is any illegal acts involving computers Cyber law Is a law relating to protect the internet and (1998 other online communication technologies. MEASURES TO BE TAKEN TO ENSURE SECURITY:

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